An Aesthetics of Liberation
Series: Modern European Thinkers
Although Marcuse is best known as a critic of consumer society, epitomised in the classic One-Dimensional Man, Malcolm Miles provides an insight into how Marcuse's aesthetic theories evolved within his broader attitudes, from his anxiety at the rise of fascism in the 1930s through heady optimism of the 1960s, to acceptance in the 1970s that radical art becomes an invaluable progressive force when political change has become deadlocked.
Marcuse's aesthetics of liberation, in which art assumes a primary role in interrupting the operation of capitalism, made him a key figure for the student movement in the 1960s. As diverse forms of resistance rise once more, a new generation of students, scholars and activists will find Marcuse's radical theory essential to their struggle.
Malcolm Miles is Professor of Cultural Theory at the University of Plymouth. He is the author of Herbert Marcuse: an Aesthetics of Liberation (Pluto, 2011) and Limits to Culture (Pluto, 2015).
1. Aesthetics and the Reconstruction of Society
2. The Artist and Social Theory
4. A Literature of Intimacy
5. Society as a Work of Art
6. The End of Utopia
7. The Aesthetic Dimension
8. Legacies and Practices
eBook ISBN: 9781783714995
135mm x 215mm