Delirium and Resistance
Activist Art and the Crisis of Capitalism
Draws on thirty years of critical debates and practices by artists and activist groups to advocate the undermining of capitalism through art
In this follow-up to his influential 2010 book, Dark Matter: Art and Politics in the Age of Enterprise Culture, Sholette engages in critical dialogue with artists' collectives, counter-institutions, and activist groups to offer an insightful, firsthand account of the relationship between politics and art in neoliberal society. Sholette lays out clear examples of art's deep involvement in capitalism: the dizzying prices achieved by artists who pander to the financial elite, the proliferation of museums that contribute to global competition between cities in order to attract capital, and the strange relationship between art and rampant gentrification that restructures the urban landscape.
With a preface by noted author Lucy R. Lippard and an introduction by theorist Kim Charnley, Delirium and Resistance draws on over thirty years of critical debates and practices both in and beyond the art world to historicize and advocate for the art activist tradition that radically - and, at times, deliriously - entangles the visual arts with political struggles.
Gregory Sholette is a New York City based artist, writer and core member of the activist art collective Gulf Labor Coalition. He is the author of Delirium and Resistance (Pluto, 2017), Dark Matter (Pluto, 2010) and co-author of It's The Political Economy, Stupid (Pluto, 2013). He currently teaches in the Queens College Art Department, City University of New York.
Kim Charnley is an art theorist and art historian based at Plymouth College of Art, whose work examines the relationship between politics and contemporary art. He is editor of Delirium and Resistance (Pluto, 2017).
'Read this book and you will never see contemporary art the same way again.' - Guerrilla Girls
'Sholette is representative of a new artist type that emerged after Conceptualism in that his work as a critic, theorist, and curator is central to his practice as an artist. He is one of the most cogent artist-theorists currently working in the domain of social practice art' - Andrew Hemingway, Professor Emeritus of Art History, University College London
'Shifting between artistic practice, curating, writing, and activism Gregory Sholette has been surfing the waves of activist art for more than three decades' - Gerald Raunig, philosopher and author of DIVIDUUM: Machinic Capitalism and Molecular Revolution, Part 1 (2016)
'A timely contribution to this ongoing global conversation between several generations of art activists around the ways in which their practice weaves between the contexts of art display, political campaigning and social movements' - Frieze
'Sholette resists any simple solutions in Delirium and Resistance. Though the book is dense and meant to be read slowly, his writing is incisive and clear, and at times poetic with a savvy use of metaphor' - Gretchen Coombs, Brooklyn Rail
'[Sholette’s] insight provides a rare mix of emergence and history, strategy and conscious planning, enthusiasm and patience, a conjunction highly appreciated in a moment of superabundance of theories and ideals of emancipative action, not always followed by realist assessments of present political and cultural configurations' - Carlos Garrido Castellano, Afterall
'Versed in the violent vicissitudes of political economy, Sholette is certainly better equipped than most who write about art and politics to analyze how the constraints on contingency exerted by capital can generate inescapable contradictions' - Art Asia Pacific
'Most of the themes explored in the essays will resonate with readers from other parts of the world. In particular the way major art events, galleries and museums exploit the pool of precarious workers and artists ready to work in exchange for ‘exposure’. Or the responsibility and failures of art education. Or the lack of demographic diversity,<br>especially at its highest levels of institutional governance. Or that abomination called artwashing' - We Make Money Not Art
Lucy R. Lippard Preface: Is Another Artworld Possible?
Kim Charnley: Art On The Brink: “Bare Art” And The Crisis Of Liberal Democracy
Part I: Artworld
Introduction I: Welcome to Our Art World
1. Fidelity, Autonomy, Betrayal: Within and Beyond the Post Cold- War Art Museum
2. Let’s do it again comrades, let’s occupy the museum!
3. Bare Art, Debt, Oversupply, Panic!: (On the contradictions of a 21st Century Art Education)
Part II: Cities Without Souls
4. Introduction II: Naturalizing the Revanchist City
5. Nature as an icon of urban resistance on NYC's Lower East Side 1979–1984
6. Mysteries of the Creative Class or I have Seen the Enemy and They is Us
7. Occupology, Swarmology, Whateverology: the city of disorder versus the people’s archive
8. Art After Gentrification
Part III: Resistance
9. Introduction III: Critical Praxis/Partisan Art
10. Counting On Your Collective Silence: Notes on Activist Art as Collaborative Practice
11. Dark matter: Activist art and the counter-public sphere
12. On Maidan Uprising and Imaginary Archive, Kyiv
13. Delirium and Resistance after the Social Turn
Hardcover ISBN: 9780745336886
eBook ISBN: 9781786800602
150mm x 230mm