Art after Money, Money after Art
Creative Strategies Against Financialization
What can we learn about capitalism by looking at artworks that take money as their subject?
From the chaos unleashed by the 'imaginary' money in financial markets to the new forms of exploitation enabled by the 'creative economy' to the way art has become the plaything of the world's plutocrats, our era of financialization demands we question our romantic assumptions about art and money. By exploring the way contemporary artists engage with cash, debt and credit, Haiven identifies and assesses a range of creative strategies for mocking, sabotaging, exiting, decrypting and hacking capitalism today.
Written for artists, activists and scholars, this book makes an urgent call to unleash the power of the radical imagination by any media necessary.
Max Haiven is Research Chair in Culture, Media and Social Justice at Lakehead University, Canada. His books include Art after Money, Money after Art (Pluto, 2018), Crises of Imagination, Crises of Power (Zed Books, 2004), Cultures of Financialization (Palgrave MacMillan, 2014) and the Radical Imagination (Zed Books, 2014).
'Perhaps the most theoretically creative radical thinker of the moment' - – David Graeber, author of Debt: The First 5000 Years (Melville House, 2014)
'Daring, brilliant, provocative. At last a radical critique of the crypto-approach and an abolitionist approach to the problem of money and art' - Franco Berardi, Philosopher, author of Futurability: The Age of Impotence and the Horizon of Possibility (Verso, 2017)
1. 3.5 Artistic Strategies To Envision Money’s Mediation
2. 6 Artists x 2 Crises x 3 Orders Of Reproduction
3. 0 Participation: Benign Pessimism, Tactical Parasitics and the Encrypted Common
4. Encryption: Art’s Crypt, Securitization in Numbers, Derivative Socialities
5. Conclusion: Toward Abolitionist Horizons
Hardcover ISBN: 9780745338255
eBook ISBN: 9781786803191
135mm x 215mm